But that’s the wonderful thing about foreign travel, suddenly you are five years old again. You can’t read anything, you have only the most basic sense of how things work, you can’t even reliably cross the street without endangering your life. Your whole existence becomes a series of interesting guesses.
You get a strange feeling when you’re about to leave a place. Like you’ll not only miss the people you love but you’ll miss the person you are now at this time and this place, because you’ll never be this way ever again.
Creative pursuits hold an inherent need for choice, whether we consider music, art, literature, dance, or design. Every great story is surrounded by white space of some kind. Blank spaces are powerful. The author and designer choose not to lay out a page with text to every edge. Its white space is part of the story it tells. What we choose to leave out creates the story.
Some days in late August at home are like this, the air thin and eager like this, with something in it sad and nostalgic and familiar…
“Let us be grateful to people who make us happy, they are the charming gardeners who make our souls blossom.” — Marcel Proust
I’ve come to think that flourishing consists of putting yourself in situations in which you lose self-consciousness and become fused with other people, experiences, or tasks. It happens sometimes when you are lost in a hard challenge, or when an artist or a craftsman becomes one with the brush or the tool. It happens sometimes while you’re playing sports, or listening to music or lost in a story, or to some people when they feel enveloped by God’s love. And it happens most when we connect with other people. I’ve come to think that happiness isn’t really produced by conscious accomplishments. Happiness is a measure of how thickly the unconscious parts of our minds are intertwined with other people and with activities. Happiness is determined by how much information and affection flows through us covertly every day and year.